The 2012 Seminar was held on 20th October at the Conway Hall in Red Lion Square in Holborn, London
Finishing Touches
British Studio Glass
SPEAKERS
Katharine Coleman MBE studied glass engraving with Peter Dreiser from 1984-7. It was difficult breaking into the world of contemporary glass where opinion prevails that glass engraving is an outdated irrelevance. After being shortlisted for the 2003 Jerwood Prize and features in Crafts and Craft Arts International, her work was accepted and is now in many public and private collections. The Crafts Council awarded her a travel bursary to travel to Japan. Awards include one of the 2006 Coburg Glass Prizes and,in 2009, the MBE
"It was a great honour to be invited to speak".
Katharine Coleman, MBE
"I really enjoyed the seminar, as I am sure did the other participants"
Anthony Scala
Flight., Catherine Hough
Photo: Kevin Nicholson
Haeckel Gold Flustra. Katharine Coleman
Photo: Katharine Coleman..
Catherine Hough trained at Stourbridge College of Art over thirty years ago. Since then she has worked as a designer maker creating work based on free blown glass forms, which are then transformed through the use of a wide range of cold working techniques. It has been a fascinating journey witnessing a continuous process of evolution in glassmaking, education, design, marketing and technology, and which now points to a very challenging future.
Red Thick.
Frances Federer
Photo: Ester Segarra
Frances Federer has been working with gilding and painting on glass almost all her working life. She has worked to commission for designers, made her own work for display and for use and has researched the subject in depth. Tapping into her long experience, she is preparing a book to appear in 2012, on its history and techniques. She is also applying her methods to the production of a line of jewellery.
Richard Jackson gained an BA (Hons) in 3D Design - Glass at West Surrey College of Art and Design. He has worked in a number of glass studios in Europe and the USA and his work is in major museums, galleries, corporate and private spaces. He is a winner of several awards including The Worshipful Company of Glass Sellers Prize. The starting point for Jackson's glass objects is an idea, usually based in the human predicament/ experience, this is then developed into a physical form. In his work the form is always the signifier,with layers of language and information built upon the surface of the piece with different levels of polishing, mark making, engraving and carving.
Spirit House XIII.
Richard Jackson
Photo: Richard Jackson
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