In my series called A Dialogue at the Threshold, I draw the viewer into my dense black glass boxes by the allure of 23.5ct gold. Some boxes are architectural, others are visually soft, encased by fabric, either by wrapping fabric around ready-made boxes or the fabric itself forms the box. The interior may be inaccessible, protruding or retreating. The opening may reveal what has been hidden. Sometimes seams are external: there is a fluidity between the inside and the outside. This interplay between the interior and the exterior articulates a dialogue at the threshold.